I draw silly things. I work on a story called Berlin Confidential. I have a lot of fandoms.

BERLIN CONFIDENTIAL / ART TAG
Pagan Blog


Friend Code: 5386-8791-4953
hit me up with your friend codes!

 

ryanpanos:

Troglodyte Houses | Via

Les Eyzies de Taynac is a pretty town in the commune of Dordogne in southwestern France, that at first glance, appears to be crushed under the cliff. The town is littered with numerous grottos, caves and troglodyte dwellings whose history dates back to more than 28,000 years.

roachpatrol:

smashsurvey:

For two days, we surveyed the fan presence for the narrative podcast Welcome to Night Vale here on tumblr. Commonplace Books’ horror/mystery series follows the broadcasts of Cecil Palmer, a radio host in the town of Night Vale. Cecil’s dynamic with his boyfriend Carlos is a frequent feature on the show and has been a point of contention with homophobic bloggers on the site before, but now it seems WTNV’s diverse cast and progressive stance has attracted a new kind of scumbag attitude. 

So, is the WTNV fandom community racist? 
We asked the tags if they thought the community that formed around Night Vale had turned unwelcoming towards people of color and interpretations of figures on the show as characters of color — and, specifically, if they’d seen accepted white supremacist and overtly racist attitudes in what should be safe fan spaces. For a show as progressive and accepting as Night Vale is, the results were upsetting. 
Read More

haha welp! looks like this world can only be cleansed with fire. 

roachpatrol:

smashsurvey:

For two days, we surveyed the fan presence for the narrative podcast Welcome to Night Vale here on tumblr. Commonplace Books’ horror/mystery series follows the broadcasts of Cecil Palmer, a radio host in the town of Night Vale. Cecil’s dynamic with his boyfriend Carlos is a frequent feature on the show and has been a point of contention with homophobic bloggers on the site before, but now it seems WTNV’s diverse cast and progressive stance has attracted a new kind of scumbag attitude. 

image

So, is the WTNV fandom community racist? 

We asked the tags if they thought the community that formed around Night Vale had turned unwelcoming towards people of color and interpretations of figures on the show as characters of color — and, specifically, if they’d seen accepted white supremacist and overtly racist attitudes in what should be safe fan spaces. For a show as progressive and accepting as Night Vale is, the results were upsetting. 

Read More

haha welp! looks like this world can only be cleansed with fire. 

Watched two seconds of Crooked House bc Ellis and Cully are doing some RP thing and Mark Gatiss’s character was described to me as “everything he says is just laced with tildes~~~~~~”

Confession:

kissmyasuka:

mumblingsage:

blue-author:

the-goddamazon:

I’ve never read Ayn Rand.

I hear so much flagrant shit about her books. The gist I got was she hates poor people and blames poor people for being poor or something?

But there’s gotta be more to it than that. I remember Borders having Atlas Shrugged on fucking display for a while.

So SOMEONE is buying into her bullshit.

The thing is, her books aren’t explicitly about how awful poor people is. Her books are about how awesome her self-reliant True Individual heroes are, which is part of what makes them appealing to so many people who are young and impressionable.

It’s the implications of the philosophy that is being advanced in her books (and which she articulates in her non-fiction books) that leads to the “screw poor people” stuff.

And the thing is, the books aren’t even good at showing the thing they supposedly show. They all are supposed to be teaching us great truths about human nature, but they ignore what human nature is and show what Rand thinks it should be. It’s like reading some alien’s fan fiction, written based on garbled descriptions and wild imaginings about what human life is like.

For instance, the Fountainhead’s protagonist is Howard Roark, the only architect in the world who is a True Individual who Doesn’t Follow The Crowd and Thinks For Himself.

But his individualism and supposed great creative genius consists of… making the most boring buildings imaginable and then insisting that this is the only correct way to do it and anybody who disagrees or deviates from his vision is objectively wrong.

His approach allows for no creativity, no individual expression, no decorative flourishes, nothing cultural or artistic. He looks at a site, and then comes up with the most utilitarian building possible to suit the practical needs of the project given the site. His design is presented as being the objectively (or Objectively) correct design, and anyone else’s design is judged by how much it deviates from the single correct answer.

So if 100 architects all submit different plans, they’e all sheep for not having the courage to see the one logically right answer.The more their answers vary, the more they are sheep.

And she writes the story in such a way that all the art and expression in architecture for thousands of years is a corruption that leaves people feeling hollow and empty. Think about the most soaring and inspiring religious art in architecture. The most beautiful buildings. In her story, the idea that these places inspire anything but conformity in the viewer is a lie we’ve been forced to believe, but looking at Howard Roark’s cracker box buildings makes our spirits soar.

This might just be written off as bad storytelling, but it reflects how she lived her life. Rand led a circle of “free-thinking intellectuals” where one’s free-thinkingness was measured in terms of one’s agreement with the group; i.e., with her.

Did you see that ridiculous letter to Cat Fancy going around where Rand talks about how she doesn’t feel anything about cats, she reasons that they have objective value? That’s not her being silly (on purpose) or suggesting “My dear person, you don’t understand how much I like cats.” As part of her deep-seated belief that she is an objectively rational human being, she convinced herself that all of her tastes and feelings are deeply rational conclusions. 

So in her fable about individualism and the human spirit, the architectural flourishes that she finds silly and gaudy aren’t just not to her taste, they are objectively wrong and a sign of how oppressed the human spirit has become.

She even conducted her romantic affairs in this manner. When she essentially left her husband for a younger man (though I believe they stayed marry), she explained it to him that it was the rationally correct decision to make and if he didn’t agree then his whole life as an intellectual had been a lie. When her younger beau eventually dumped her, she made a similar declaration about him.

So this is the background of Ayn Rand: a woman who is as ruled by prejudice, superstition, and emotion as anyone else on the planet, but is so invested in the idea of being rational and objective that she convinced that whatever passion moves her must be the utter expression of pure reason.

And this woman has—as so many do—a deep suspicion of the idea that other people are getting something for nothing, and this suspicion leads to resentment. More understandably, she has a suspicion of anything that smacks of communism or government-backed redistribution from being a firsthand witness to the excesses of the USSR.

But rather than thinking about her feelings and where they come from, or examining her conclusions, she simply concludes that everything she feels is itself pure reason, and then articulates a philosophy around it.

And this gives us Atlas Shrugged, which is again about the triumph of the individual, but again in a very twisted way.

She takes the idea that all human beings are entitled to the fruits of their labor and posits that the only human beings who really labor are the people at the top of the capitalism food chain.

Reading the story, it’s apparent that she sees the world as a kind of steampunk AU where people who singlehandedly create unique and unreproducible technological breakthroughs are the drivers of the economy, not people who work and buy things, not venture capitalists and people who have inherited gobs of money and power.

True Individuals in Atlas Shrugged are people who are clever and brave and selfish (which is considered a virtue in her writing) enough that they should be rich and ruling the world, and the fact that they don’t is another sign of how corrupt the world is. This is why it resonates with so many people (and the particular people it does) so deeply: it tells them that they should be in charge, they should be rich, they should have everything, and the fact that they don’t is because of Moochers, Looters, and Takers (everyone else.)

Selfishness is a virtue, altruism is a sin, and anything done for the benefit of society rather than oneself is “looting” and the reason that the well-deserving supermen of the world are left with nothing to show for their awesomeness.

The title “Atlas Shrugged” refers to the idea that the titan Atlas who holds up the sky (or in many popular depictions, the world) suffers and toils silently for the benefit of the whole world with no reward might one day have enough of it and put his burden down, see how the world gets along without him.

Which sounds like a rallying cry for labor, right? But this, again, in Rand’s mind and in her bizarre AU fantasy that she calls a philosophical thesis statement, this description does not apply to the mass of human laborers whose work forms the backbone of our life. Those people are takers. Whatever they get is by definition more than they deserve.

John Galt, the “hero” of Atlas Shrugged, is a randpunk inventor who organizes a “strike” of all the other True Individuals, and the wheels of society grind to a halt without their benevolent greed. This is why Tea Partiers and the like talk about “going Galt” or wave signs around that say “Who is John Galt?” (which is Tea Partier for wearing a Guy Fawkes mask). The irony of ironies is that most of these people are working class, which means that they would not be seen as Atlas in her work but as Atlas’s burden.

But as long as they prefer to see themselves as the Bold Individuals Who Would Dare (if not for that darned government and immigrants and homosexuals and communists and witches), they’ll never realize that.

Sorry to the less-interested among my dash for reblogging such a long post, but Rand’s psychology (it’s…not really a philosophy, and my philosophy prof is the only other person I’ve ever seen pick apart her premises & reasoning so thoroughly) rarely gets examined in-depth, and I find it fascinating when it is…also, “randpunk” as a genre name. I kinda wish it existed. So we all knew what to avoid, but still. 

Interesting that a woman seen by many as the ultimate ideal of Reason built her entire philosophy around a logical fallacy.

theheatofthesouth:

theheatofthesouth:

1. First cut up some strawberries and soak em in vodka for as long as you can bear to wait (if you do it overnight it’s even better)
2. Then add some lemonade.
3. Stir and serve with mint.
4. Be drunk.

Y’all I was not ready for this

Hhhhhh autism speaks commercial in the break room at work

Now I just want to throw things at the tv

elementabees:

alyharania:

tessellation29:

goodlyrottenapple:

timberlatkes:

stepone:

havisham:

marion—crane:

fionagallagherrr:

Random Aesthethic Generator

so i did a thing

pastel psychobilly desert babe. yes. yes.

drunk nocturnal cyber idol

firey existentialist impressionist babe

… omggggg ヽ()ノ

couture edgy demon disaster

hippie vintage arcade tragedy

post-apocalyptic lolita floral bitch

[Edit: IF I CAPITALIZE THE FIRST LETTER OF MY NAME IT CHANGES TO “DRUNK LEATHER TIME-TRAVELING VAMPIRE” I LIKE THAT BETTER.]

Ya’ll…

Okay.

Non-capitalized aly’s aesthetic is apparently “sad leather demon royalty.” Capitalized Aly got, and I promise I am not making this up:

sad glitter chamberpop anti-hero.

Why.

dark dragon teen witch

into it

vintage celestial killer idol

OR

melancholic dryad rainbow funk

platoapproved:

isabelthespy:

spitefulbitch:

the stupidest thing in the entire harry potter series was when they go down to the slytherin dormitory and it’s all dark and slimy and freezing and shit. as if lucius malfoy would let his son live in squalor like that. the house with the highest concentration of spoiled purebloods are happy to live under the goddamn lake? no.

wow this is the #1 best harry potter criticism i have ever read

the essential dichotomy of the two very different things jkr seemed to be trying to embody in slytherin which are just not compatible if you ask me.

you’ve got the malfoy side of slytherin.  blood purity, deliberate class metaphors, deliberate race metaphors.  this kind of slytherin is all about old wealth, british identity, and privilege-based violence.  the malfoys are SUPER WHITE they are the WHITEST WHITE, and with that goes this image they project as benevolent philanthropists, while they privately (and then not so privately) degrade and exploit and abuse those they consider categorically lesser (muggle borns, house elves, people poorer than them, etc).  this is the slytherins-are-privileged-racists side of the house traits.

the other side has always kind of struck me as jkr’s-privilege-seems-to-have-led-her-to-use-racist-tropes-to-make-slytherins-more-loathesome side of things.  it’s the snape side of slytherin.  the side embodied by snakes (and all that weight of judeo-christian inflected nastiness they are supposed to carry).  why is the house of POWERFUL pureblood families not represented by some animal associated with institutional power in britain (like I DON’T KNOW A FUCKING LION).  this version of slytherin is the kind of evil that is “obvious” because everyone knows snakes are bad (just like rats are bad!!! :|).  everyone knows the guy with the black eyes, the greasy hair,  the “”“”“sallow”“”“” complexion, and the hooked nose (always comes back to the Ambiguously Ethnic thing doesn’t it) is evil.  you know it even before he says a fucking thing.  you can tell he’s evil by his body, by his phenotype.  because this shit doesn’t exist in a vacuum and like it or not, certain traits have a history of being coded in certain ways, racially/ethnically speaking.  the idea of sneakiness, of cleverness, of ruthlessness and questionably moral doing-what-it-takes-to-get-ahead, none of that is coded ROBUST HETEROSEXUAL WHITE CHRISTIAN let me tell you that.  slytherins are bad at sports (not like the VIGOROUS HEALTHY GRYFFINDORS) and when they do get close to winning it’s by cheating.

but the thing is if you are running the system, you don’t need to cheat the system.  the two sides of slytherin just don’t mesh together.

THIS IS SUPER INCOHERENT I need to structure this into something formal with capitalization when I’m not quite so beset with insomnia and inarticulate rage.  I’M NOT EVEN A SLYTHERIN.  I just care because if JKR had been really serious about the radical and anti-authoritarian message she seemed to WANT for harry potter, it would have been gyffindor that was the dangerous, privileged, racist house.  that’s the house with the traits associated with POWER, and so much of that second slytherin has been associated with groups that are ruthlessly marginalized.

this old post explains it pretty well actually, the antisemitism / anti-foreigner sentiment seething just beneath the surface.

i love harry potter but sometimes i fucking hate harry potter you know?

chatfish:

Boycotting shopping at Hobby Lobby: Yes

Yelling at Hobby Lobby employees because their corporation is dangerously conservative: No. Do not do this. Do not torture minimum wage employees for this. 

guiltyhipster:

Friendly reminder that you’re allowed to like a thing without knowing every single fact about the thing

You’re allowed to like a movie without having to know every crew member’s name

You’re allowed to like a book without having to memorize every page

You’re allowed to like a video game without having to know all the Easter eggs and cheat codes

You’re allowed to like things and not be an expert on things

Liking things isn’t supposed to be stressful